Something about Radio Slave: No matter what sounds you profess to be your music of choice, chances are, that at some point over the last five years, you will have got your rocks off to Matt Edwards. As Matthew E he fashions club-based, dancefloor slayers. Under that aegis he’s updated the classic Chi-town, jackin’ sound beloved of house aficionados and layered it with fractured funk, belligerent, oddball beats and mechanical soul. If Matthew E is all about the Saturday Night Fever, then, by contrast, Rekid is the slower, more deliberate, rhythmical funk of the mid-week mayhem. Its well-intentioned muscular intensity making it perfect soulful sustenance.Quiet Village is something else all together. A collaboration with long-time musical sparring partner Joel Martin (a vinyl freak, like Mr Edwards, who works in esteemed auction house Christie’s pop department), it’s sample-based music which veers from drawn out disco-not-disco delirium to evocative, under-stated soundscapes.Sea Devils - you keeping up at the back? – is undeniable electronic pop brilliance. Working with Tom from Cagedbaby, it’s the least niche of Matt’s projects and thanks to Sea Devils alluring pop dance grooves they’ll no doubt be shagging the upper reaches of the hit parade sometime soon.
Artist: Radio Slave B2B Stacey PullenSomething about Stacey Pullen: Stacey Pullen is the Kosmik Messenger. An innovator from the Second Wave of Detroit techno, he grew up under the mentorship of Detroit's legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world's most in demand DJs, playing weekly across the globe year in, year out. With a font of passion for music and performance that never dries up, Stacey Pullen still plays every gig from the heart seeking to surprise and engage, to provide an unforgettable experience, to offer up his unique catalogue without predictability - defying expectation. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator.From the age of 9, playing flute in his school band, Stacey has always been playing musical instruments. Throughout his school years, he developed a fantastic groundwork in analogue instruments and performance, moving from flute to his self-taught next choice of percussion. In his final years at school he found himself travelling around to a lot of cities in the USA playing in school bands, which gave him a taste of – and preparation for – the travelling involved in life as a musician. He had also seen and been prepared for a musician's life from watching his father who was in a Motown band called the Capitals in the 1970's, filling much of Stacey's childhood with observations of a life dedicated to music and travel.